Consider Telling Stories with Collage

Kathryn Antyr, a.k.a. “Collage Diva” is into telling stories with collage. “[I]t was during my first year of blogging when I found my voice and discovered that I’m the hero of my own story and creative journey,” she writes.

Antyr offers a workshop on storytelling with collage.

She also shows several story collages she uses in the workshop in a slideshow.

Finally, she offers a link to a chat she had with Leah Piken Kolidas about using art to re-tell our stories and using the Hero’s Journey as a framework in Antyr’s online workshop.

One of the things I find most intriguing about Antyr’s story work with collage is that she uses a awesome application called Smilebox that I first wrote about here. Smilebox is kind of an digital scrapbooking tool that enables folks to make slideshows, scrapbooks, photo albums and more. I believe you could even build Web sites with it.

Sadly, I downloaded Smilebox almost a year ago and still haven’t had a chance to do anything with it.

Slideshow: Latest Twist on the Storytelling Resume

The folks at SlideShare aren’t declaring the resume dead but are dubbing it “old school.”

In a newsletter I received this morning, SlideShare tells the story of how Laura Gainor (pictured) told her story in a slideshow targeted to a prospective employer:

Laura Gainor wasn’t always the PR & Social Media Strategist at Comet Branding and this is the story of how that came to be.

When Laura found out she and her husband were moving from Charlotte to Milwaukee, she reached out to companies in the area, including Comet Branding who tweeted about a job opening.

Laura set out to get herself hired by launching a #LauraGainorToMilwaukee campaign that mixed in Twitter, FourSquare and SlideShare.

Laura and her husband had already planned a trip to Milwaukee. She made a poster out of the Comet Brand logo and posted pictures of the poster in various venues at Milwaukee with a Foursquare check-in and a tweet. The campaign was fun, spontaneous and creative and showcased Laura’s personality and creativity.

But Laura also wanted to showcase her experience as well as creative and strategic talents. So she uploaded a presentation to SlideShare and periodically tweeted links to that presentation.

… Laura pulled together photos to create a virtual resume as well as screenshots of her Foursquare check-ins from Milwaukee.

“My goal for my SlideShare presentation was to create a story about who I was, my professional experience, showcase my talents that would make me a good fit for Comet Branding, as well as pull together my #LauraGainorToMilwaukee story into one place,” Laura explained.

The very day Laura’s presentation was uploaded, it made it to SlideShare’s ‘Most Popular’ and was passed around on SlideShare and the Twittersphere. She got tweets and direct messages from all over.

… Comet Branding also noticed Laura. They contacted her to setup a first interview. On March 1st she went in for a second interview and was immediately offered the position!

Laura’s presentation, embedded below, has “old-school” resume elements, but it also tells aspects of her personal story, such as her marriage and acquisition of a dog. She also makes her slideshow quite specific to the targeted employer. Her mashup of social-media tools to tell the story of coming to Milwaukee is novel. A slideshow, of course, presents the same problems that a video resume does — it’s time-consuming to view and can open the candidate up to discrimination. But for pursuing a social-media job, Laura’s slideshow makes a dandy storytelling resume.

View more presentations from Laura Gainor.

Stay Tuned for The New Storytellers

At the risk of seeming like Michael Margolis’s publicist, I’m announcing another one of his terrific initiatives: The New Storytellers.

Michael announces that the New Storytellers will be a bi-weekly show on storytelling and the new language of business.

The first show will be on Tuesday, March 30 at 1pm EST/10am PST and last 60 minutes. “Each session will be an interactive interview with a high-profile guest spanning many diverse worlds, ideas, and domains,” Michael says. “There will always be live questions taken from the audience. Each broadcast will also be available as a iTunes podcast so you can listen in at your leisure.

He says his goal “is to show how storytelling is the foundation of every business and social domain, curated through the voices of leading experts, creatives, and visionaries.”

The lineup so far:

  • March 30 — Michael will kick off the first show by himself “to frame the larger conversation, with a guest interview format in following weeks.”
  • April 13 – Grant McCracken – Business anthropologist, author of Chief Culture Officer
  • April 27 – Lance Weiler – Writer, film director, culture hacker, Workbook Project, DIYDays

Go here to sign up to get dial-in information for the shows.

A Twitter Storytelling Experiment for SXSW

I’ve reported on quite a few Twitter storytelling projects. Fourth Story Media has launched another, this one in conjunction with the SXSW Music + Film + Interactive Festival. This one has a twist I’m not sure I’ve seen in other Twitter storytelling efforts — participants vote on the best sentences to advance the story forward.

The project, which started last Friday, the 12th and plays out on The Future of Story, works like this:

  • Follow us on Twitter to receive the kickoff sentence for each story (contributed by some of your favorite web storytellers)
  • @ reply to @itwasadarkand with what you think happens next; your sentence will show up here
  • Vote up the best sentence
  • Every round, the winning sentence becomes part of the story and it’s time to write the next!

Two to three stories a day are expected to be produced.

New Storytelling Q&A Series Launching This Spring

I’ve sent out 23 invitations to practitioners who work in some way with story to participate in a new Q&A series, which will probably launch in early May (a few may sneak in before that).


Happily, I’ve already had 13 favorable responses.

With the caveat that stuff happens and sometimes folks who commit to these Q&As aren’t able to fulfill the commitment, I’m announcing some folks from whom we might expect to see Q&As later this spring:

David Kennedy, who blogs about the intersection of storytelling and technology; George Dutch, who uses story to help people figure out the right career; storyteller Noa Baum (who is also a performance artist, educator, and diversity specialist); blogger and consultant Gregg Morris; storyteller and ghostwriter Kim Pearson; Digital Survival™/Digital Success™ consultant Jo Golden; Barry Poltermann, CEO of About Face Media; presentation gurus Scott Schwertly and Travis Robertson of Ethos3; storyteller and consultant Cathryn Wellner; Steve Krizman, who writes about storytelling in organizational communications and in branding; storyteller, writer, and communicator David Willows; story coach Lisa Bloom; and Steven Spalding, chief storyteller at Crossing Gaps, a digital-storytelling firm.

Story of the End of an Era

One of my occasional forays into my own story.

It hit me yesterday that I have less than three weeks before I move from the only house we’ve ever owned and the only timezone in which I’ve ever lived. Our Florida-born and based daughter is here saying her goodbyes before we move.

I am struck most of all by how little sentimental attachment I feel to this house and the vast majority of our possessions, so many of which we’ve purged. We’ve lived in this house for the better part of 18 years. Not only is it the only house we’ve ever owned, but this is the longest either of us has ever lived in any one house, or indeed, in any one town.

When we moved in, the house was steeped in 70s decor. Lots of linoleum, wood paneling, and parquet floors. We remodeled every room, making them our own with bright, bold colors. We built a detached addition. We had our pool dug out after the 2004 hurricanes destroyed our screen enclosure, and we couldn’t get anyone to fix it. In short, the house became a palette for our own story as a young family and now as empty-nesters.

As a child, I felt so sentimental about moving from the farmhouse where I had spent seven formative years that I slipped a note to the new owners behind a radiator in my room. We sold our current house just a week after listing it with realtors — to someone who had admired it at our yard sale. (We’ll learn after tomorrow’s appraisal whether the sale will definitely go through.) As I prepare to leave this house, I feel no such sentimentality despite all we’ve put into this house. I only hope the house will bring pleasure to the new owners.

I am also looking very much forward to the next chapter of my story — a new life in a very different place, Kettle Falls, WA — and I look forward to taking all of you along with me.

Common Characteristics of Stories that Get People Hired

Count A. Harrison Barnes among career gurus who support storytelling in the job search. Harrison, founder and CEO of CareerMission.com, the parent company of more than 100 job search websites, employment services, recruiting firms, online employment news magazines and student loan companies, characterizes the stories of those who get hired in his article, Use Personal Stories to Connect with an Employer and Get a Job:

There are some common characteristics of stories that get people hired, which I want to share with you so you can understand the entire process. The best stories typically revolve around the employee being very motivated to do a good job and continually wanting to improve in his or her employment. The person is generally portrayed as someone who works hard, has a positive attitude, is loyal, and, due to forces entirely outside his or her control, can no longer grow in his or her position or company. When the story is developed correctly, each job move is shown as part of this quest for continual self-improvement. A well-written story will also detail the candidate’s daily life. It will mention his or her family and friends, so that the prospective employer can come to identify with the candidate as a person.

Barnes handily summarizes his full article:

  • When an employer hires you, he or she is making a purchase of sorts.
  • The more information the employer has about you, the more (positive) stories that they can associate with you after your interview.
  • Stories create a connection.
  • You should portray yourself as someone who works hard, has a positive attitude, is loyal, and, due to forces entirely outside your control, can no longer grow in your current position or company.

[Thanks to Wendy Terwelp for alerting me to Barnes’s article.]

Storied Personal Branding Makes New Strides

Right on the heels of my latest gnashing of teeth over personal branding are two developments on the subject.

The first is a highly retweeted blog post on Web Worker Daily by Georgina Laidlaw on using storytelling techniques in personal branding. In what is expected to be a three-part series on this topic, Laidlaw begins with characterization. Agreeing at least in part with Gareth Jones who says that brands are static but people are not, Laidlaw diverges from Jones’s assertion that people, therefore, cannot be branded.

“You’re the key character in your story,” Laidlaw notes, and as such, you select “crucial defining information about their characters and focuses on communicating that clearly, in a way that suits the character” and hence, build your brand. Among the choices for information you might select about your character, Laidlaw says, are:

  • the channels you use
  • the language you use
  • your profile data
  • the photos you publish of yourself and others
  • your interests, pastimes, and the topics you focus on, including links and other content you promote
  • your frequency and depth of public engagement with others
  • the places you like to visit or meet others

In answer to the question, “How do you know what will best illustrate your character to your contacts?”, Laidlaw states that “the answer will depend on your character! I usually only communicate about things that I feel very strongly about — topics I’m passionate about — which in itself reflects my character to some degree.”

The second development is a new (free) product from Penelope Trunk’s Brazen Careerist network, the “social resume.” This product strikes me as a cross between a LinkedIn Profile and a social-media resume. Intended for Gen Y workers, Brazen Careerist resumes do not focus on the “story” metaphor; “story” is never mentioned. Instead, “ideas” is the top buzzword, followed by “conversation.” (John Zappe quotes Trunk: “The recruiting industry is shifting from search ninjas to those who understand conversations.”)

Still, the Brazen Careerist social resume provides opportunities for storytelling in its “About Me” section, and some of the social resumes I looked at by community members offer stories in that space, such as the one for Brazen Community Manager Ryan Paugh (thumbnail of resume pictured here).

But, ugh, the way Brazen Careerist solicits information for the Experience portion of users’ social resumes is anathema to storytelling; the form asks for a “job description.” I can guarantee that no storytelling will be forthcoming from job descriptions. Brazen should be asking for accomplishments, achievements, initiatives, results, and the like.

Here’s where I see a terrific mashup: Brazen Careerist social-resume users could use Georgina Laidlaw’s personal-branding storytelling techniques for their social resumes.

I keep bringing up new twists on resumes not because they are explicitly storytelling resume but because each new “resume replacement” or “resume reinvention” (as Zappe calls them) suggests that hiring decision-makers are not getting what they need from traditional resumes. With Zappe using phrases like “better portrait” and “living, breathing profile,” I know there is a place for storytelling in these new incarnations.

What Is Storytelling Without Relationships?

A couple of recent pieces have examined the role of relationships and connections in storytelling.

In a scholarly piece called Different Ways of Remembering: the Example of Storytelling, Mark Oppenneer writes:

The telling of a story not only suggests the physical presence of a storyteller and an audience, but the relationship that exists between the two, the relationships between members of the audience, the relationship between humans and the land on which they live and in which the action of the story transpires, etc.

Oppeneer notes that the tendency to see “story” as text is a “Western information bias,” and Westerners tend to find audio and video recordings “sufficient to capture the telling of a story.” But such manifestations of story strip away “essential components of relationship,” Oppenneer asserts.

Laura S. Packer views storytelling and relationships from a different angle in Storytelling as connective tissue:

…[T]he shared experience of listening to a story makes the entire audience into one being. The story is the ligament that binds us. … Regardless of the length of the story, the setting in which it’s told, the experience of the teller or the teller’s background, when we tell authentically tell a story it binds audience members to each other and to the teller. Stories are connective tissue in culture and families as well. They are how we identify ourselves, how we know that I am of this group, so this is my story.

Both authors stress this connective role of storytelling in the act of re-telling. For Packer, listeners “know who they are by the stories they were told and in turn retell.” Oppenneer notes:

..[T]he telling of a story interacts with prior tellings remembered by the audience and is infused with embellishments and improvisations that are in tune with the relationships established during the performance.

and he quotes Rebecca Green: “Repetitive storytelling of the past re-creates, solidifies, and even creates the veracity of events and individuals.”

The underlying message for both authors is that storytelling creates cultural identity, cultural memory, cultural meaning, and knowledge that is passed on from person to person, generation to generation.

As technology provides us with more and more ways to tell stories, we would be wise to ask ourselves the extent to which any given storytelling medium enables us to preserve relationships

I love the words Packer closes with:

Stories reach across time, space and distance to give us the same narrative connection. We are human. We tell stories. Listen to me and I will listen to you: We will recognize ourselves in each others words.