Following Up With David Willows: Helping Folks Find Their Place in the Story

After I published the first installment of my Q&A with David Willows, a reader e-mailed me to ask about this passage:

In my current work as the director of external relations of a large international school, it is true that I often say that my role is all about telling the story of my school and helping others find their place in that story.

The reader wanted to know what David meant by “helping others find their place in that story,” so I asked him. Here’s his response:

That’s a great question. To answer it, let’s think first about what happens when we read or listen to stories. Great stories don’t leave us for very long as passive “observers.” Instead, they engage us, challenge us, and invite us to join in; and we find ourselves literally playing a role in the story — imagining ourselves as the would-be hero, the victim in need of rescuing or even the rogue!

Turning to our role as storytellers in the context of an international school, I think that there are a number of parallels. First, it falls to some of us to narrate a story of education that is powerful and engaging. That’s key to effective marketing. Then, whether we are talking about prospective families, possible major donors or sponsors, future teachers or the students themselves — we then need to find ways of helping these would-be actors feel that they are part of the unfolding story; ways to make them literally imagine themselves as featuring in the next chapter; envision precisely how their gift will have a transformative effect; or simply imagine themselves as included, challenged and successful students.

By telling stories, we invite these various stakeholders to move from the stands into the centre of the stage. We give them lines to read and offer them the chance of playing a starring role.

See a photo of David, his bio, Part 1 of the Q&A, Part 2, Part 3, Part 4, and Part 5.

Q&A with a Story Guru: David Willows: You Can Never Stand Outside the Story

See a photo of David, his bio, Part 1 of this Q&A, Part 2, Part 3, and Part 4.


Q&A with David Willows, Question 5:

Q: What is your greatest challenge in the telling the story of International School of Brussels (pictured)?

A: One of the biggest challenges that we face in the context of an international school is this: with 1,500 students from 70 nationalities, whose history do we teach? This is a critical issue facing anyone involved in education right now and, sadly, there are no short answers. I am lucky enough to be in a learning environment where we are at least wrestling with this question every day and providing a curricular framework that begins to address this issue.

One thing I would say, however, is that storytelling insists that we take up a position, stand for something and give lie to the myth of neutrality.

You can’t ever stand outside the story!

Q&A with a Story Guru: David Willows: Where is the Wisdom We Have Lost in Knowledge? Where is the Knowledge We Have Lost in Information?

See a photo of David, his bio, Part 1 of this Q&A, Part 2, and Part 3.


Q&A with David Willows, Question 4:

Q: The storytelling movement seems to be growing explosively. Why now?’ What is it about this moment in human history and culture that makes storytelling so resonant with so many people right now?

A: That’s a great question. It has certainly been fascinating to watch the growth of the “story industry” across all fields of professional life. It is ironic, perhaps, that all we are doing is going back to an ancient form of communication. But why now? I think the answer lies somewhere in the words of T.S. Eliot, “Where is the wisdom we have lost in knowledge? Where is the knowledge we have lost in information?” These days, none of us lack information. But we need a way of connecting and bringing meaning to these otherwise random, disconnected moments in time. That’s what stories enable us to do — literally “make sense” out of our lives.

Q&A with a Story Guru: David Willows: Stories of Family Life Connect with Others

See a photo of David, his bio, Part 1 of this Q&A, and Part 2.


Q&A with David Willows, Question 3:

Q: How has your work with story evolved?

A: I have written a lot about the power of storytelling in my career — as a priest in the Church of England, as a counselor in a psychiatric hospital, as a teacher, as a marketing and communications professional. Over the past six years, however, I have also spent time writing stories about my experience of modern family life. After some success as a blogger, I am just about to publish this work as a book [Fragments]. A series of short stories, the book reflects on a whole range of complex issues, from IVF and having twins, to divorce, coping with teenagers and losing someone you love. My experience tells me that these kinds of stories connect with others in all sorts of interesting and unexpected ways.

Q&A with a Story Guru: David Willows: Stories are Key to Making Sense of the Complexity of Human Existence

See a photo of David, his bio, and Part 1 of this Q&A.


Q&A with David Willows, Question 2:

Q: How did you initially become involved with story/ storytelling/narrative? What attracted you to this field? What do you love about it?

A: Funnily enough, I wasn’t one of those kids who read all the time growing up. So I can’t say that my childhood nurtured this interest in narrative and the power of stories. It all began later, when I was studying theology and philosophy at University. Looking back, I guess that I was somewhat frustrated with the notion that Truth could be reduced to statements of fact. So when I stumbled across a group of thinkers called “narrative theologians,” I became hooked by the idea that stories are key to making sense of the complexity of human existence.

Q&A with a Story Guru: David Willows: Marketing Is About Telling the Story and Helping Audience Members Find Their Place in the Story

Although my next Q&A series doesn’t officially start till May, I’m delighted to whet my appetite and yours with this interview with David Willows, who uses storytelling in his job as director of external relations for The International School of Brussels in Brussels, Belgium. This Q&A will appear over the next several days.

David Willows is Director of External Relations at the International School of Brussels (ISB), Belgium. He has experience of working and writing in education, philosophy, marketing and brand development, pastoral care and counselling. He serves on the Board of the European Association of Communication Directors (EACD) and as a member of the Commission on Marketing and Communications for the Council for Advancement and Support of Education (CASE). He maintains the blog “Fragments,” which is also the title of his collection of stories and reflections that attempts to make sense of modern family life. You can read more about him here.


Q&A with David Willows, Question 1:

Q: You write on your blog, Fragments, “I often tell people that my job as director of external relations at the International School of Brussels is about ‘telling the story of my school and helping other people find their place in that story.'” What are some of the ways you tell the school’s story?

A: In my current work as the director of external relations of a large international school, it is true that I often say that my role is all about ‘telling the story of my school and helping others find their place in that story.’ That’s what marketing is all about as far as I am concerned! How we tell that story, though, is critical — and let’s not forget that storytelling is as much about listening as it is speaking to those around us.

So right now, we are busy telling the story of our school by producing brochures without words (allowing people to get closer to the experience, rather than bogged down by the world of fact); we are exploring the huge opportunities of that social media is providing — and it’s perhaps no surprise to find that our YouTube channel is fast becoming our most popular online gateway to the school; we are also intrigued by the ways in which data (that’s right, all the numbers and graphs) can tell stories in a particular way … so we’ve developed a data dashboard for key stakeholders across the school.

The Ancient Tradition of the Story Gourd

Do you know about the ancient, culturally embedded tradition of the story gourd? The gourd with a story etched around the surface … with the carved grid on the back … with the hinged door that opens to reveal a picture related to the story?

You’ve never heard of the hallowed tradition of the story gourd?

Maybe that’s because it doesn’t exist, at least not as an ancient tradition. My sister, Robin Souers, invented and crafted the story gourd, quite recently as a matter of fact. I visited her in the early part of this week, and she gave me as a gift the story gourd she created.

Knowing my passion for storytelling, she crafted this delightful object that tells a story about the two of us. The little door opens to display a photo of Robin and me as children.

The story gourd may not be an ancient tradition, but I can truly see it becoming a modern one. What a cool idea to have a story meaningful to a family, couple, group, or organization preserved on a gourd. I can see groups sitting around in a circle, passing the gourd around, and reading parts of the story. I can see story gourds sitting in places of honor in family homes.

I’m fantasizing that story gourds will really catch on, and my sister will have a little cottage business.

Want one?

Twitter’s a Tool in the Space Between Story and Gaming

Ongoing chronicling of how folks are using social media, especially Twitter, for forms of storytelling …

“Choose Your Own Adventure” has long seemed to me to fall somewhere between storytelling and gaming. Jonah Peretti is using Twitter for a “Choose Your Own Adventure” activity.

As Mashable describes the activity

… it’s basically a written work which allows the reader to make choices that affect the storyline, creating a tree-shaped narrative structure. You enter a dark cave: do you want to a) explore the cave or b) turn away? Depending on which one you choose, you’ll be sent to a different page in the book, and the story continues.

The first opportunity for choices was posted last Friday:
You’re assigned a dangerous mission to save the world! Do you
1) http://bit.ly/Accept-Mission or
2) http://bit.ly/Go-On-Vacation

I’ve got to admire the intricacies of setting something like this up on Twitter.

Can an Image Scanner Tell a Story?

Well, I managed to miss World Storytelling Day yesterday, and I’m not going to make humanists any happier today by talking about storytelling by an inanimate object today.

Of course, there really is a person (Damon Stea) behind the storytelling in this digital story, “Memoirs of a Scanner,” but the tale is set up as though it’s coming from an image scanner. (I got a bit confused by the video’s use of “copier” and “scanner” interchangeably and even more confused when I saw the video was shot entirely on a Canon Flatbed Computer Scanner). Love the fast-pace, aided by music by Coconut Monkey Rocket and Martinibomb.

How well does a story from the point of view of an image scanner come off?

(Many thanks to Stephanie West Allen for alerting me to this one.)

Memoirs of a Scanner (Martinibomb Version) from Mindfruit on Vimeo.

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Illustrations Enhance Business Storytelling Series

Kelsey Ruger has been running a series on business storytelling on his blog The Moleskin. It’s a particularly helpful series for newbies to business narrative/organizational storytelling, as veterans may find it a bit too basic.

But what even longtime organizational-storytelling followers will enjoy are Ruger’s charming hand-drawn charts and pictures illustrating the concepts he writes about. See one of them at right.

Here’s what the series has covered so far: