I’m delighted to present the third installment in this series of interviews with some of the gurus of both performance and applied storytelling. This interview is with prolific author Terrence Gargiulo. I’ve read several of his books and “attended” some excellent Webinars he’s presented. Read more about him in his bio below. I have broken his interview down into five parts, with one to appear each of the next five days.
Bio: Terrence L. Gargiulo, MMHS, is an eight-time author, international speaker, organizational development consultant, and group-process facilitator specializing in the use of stories. He holds a master of management in human services from the Florence Heller School, at Brandeis University, and is a recipient of Inc. Magazine‘s Marketing Master Award and the 2008 HR Leadership Award from the Asia Pacific HRM Congress.
Highlights of some of his past and present clients include, GM, HP, DTE Energy, MicroStrategy, Fidelity, Federal Reserve Bank, Ceridian, Countrywide Financial, Washington Mutual, Dreyers Ice Cream, UNUM, US Coast Guard, Boston University, Raytheon, City of Lowell, Arthur D. Little, KANA Communications, Merck-Medco, Coca-Cola, Harvard Business School, and Cambridge Savings Bank.
Terrence’s books include, Making Stories: A Practical Guide for Organizational Leaders and Human Resource Specialists (translated into Chinese), The Strategic Use of Stories in Organizational Communication and Learning, On Cloud Nine: Weathering Many Generations in the Workplace (translated into Korean and Spanish), Stories at Work: Using Stories to Improve Communications and Build Relationships, Building Business Acumen for Trainers: Skills to Empower the Training Function, Once Upon a Time: Using Story-based Activities to Develop Breakthrough Communication Skills, In the Land of Difficult People: 24 Timeless Tales Reveal How to Tame Beasts at Work, The Trainer’s Portable Mentor.
Terrence is a frequent speaker at international and national conferences including the American Society for Training and Development (ASTD), International Society for Performance Improvement (ISPI), Academy of Management, Conference Board, Linkage Inc, Association of Business Communications, and he is a field editor for ASTD. His articles have appeared in American Executive Magazine, Journal of Quality and Participation, Communication World, ISPI Journal, and ASTD Links.
Terrence’s and his father’s opera Tryillias was accepted for a nomination for the 2004 Pulitzer Prize in music.
Terrence can be reached by phone: 415-948-8087, email: Terrence@MAKINGTORIES.net
Q&A with Terrence Gargiulo (1st question):
Q: How important is it to you and your work to function within the framework of a particular definition of ”story?” (i.e., What is a story?) What definition do you espouse?
A: It isn’t important at all. In fact I’m afraid to say that I believe we miss the nuances of what stories really offer. I’m more comfortable letting go of story labels and definitions and getting down to just working and living with them. Isn’t that all we really can do? Definitions fly in the face of the very power of consciousness and awareness that stories offer us. When I work with groups I beg forgiveness for not giving a definition of stories; usually to the frustration of more literal and left-brain dominant types. Then through my interaction with the group I model story-based communication behaviors. I will collage strings of stories, elicit people’s stories, connect stories with one another, use lots of analogies and references to other stories to trigger rich associations in the minds and conversations of people present. All of this is meant to encourage proactive reflection. I want people to remember their experiences and appreciate/respect/take an interest in the experiences of others, look for connections between their experiences, and imagine new possibilities. This is the fluid and emergent quality of stories. And this is the framework I follow in all of my consulting work whether I am designing a large scale change management, developing a communications strategy, or architecting a learning event.
I have a passion for inciting insights in others. I am a conduit for opening story spaces. These are polyphonic dialogues orchestrated with reflective opportunities for insights to emerge. Recollecting our experiences and the experiences of others are precious gifts of attention that never stop gracing us with sense giving and sense making moments. I am committed to living these questions…Can we be authentic? Can we remember who we are? Can we create connections within ourselves, and between ourselves and others? Can we soar with our imaginations beyond the boundaries we erect in the name of stability? Can we let go of our habits and still feel alive?
I see the world through a lens of stories. The world unfolds as translucent, crisscrossing patterns of possibilities and meanings. It is my intuitive eye, fueled by my commitment to listen deeply, which sorts through this overwhelming array of perceptions. Here there is a mingling of vulnerabilities, differences, tensions, and myriad of intersecting points of connections. It is this self-sustaining structure-less structure that potentiates powerful dialogues that lead to solutions. I want to write and perform the dynamic melodies and harmonies that resonate for others and calls them to the dance of life.
When working with a group that want to delve into stories I will throw up some images on a screen like a rotating diamond with light streaming through it, a strand of DNA, raindrops hitting a pond of water, holograms, or a visualization of zooming in and out on a madlebrot set. I will invite the group to work with the images and suggest how they provide insights into the nature of stories beyond the obvious ways people are accustomed to thinking about them. Instead of offering definitions I will talk about some of the functions of stories and the effects of these functions:
Let me close by offering the following:
Stories fold in and out of themselves to reveal subtle worlds of meanings, purpose, and connections.
They are gentle transporters bound by time but that travel beyond the boundaries of what we have experienced at any given point in time.
Stories free us to move through a landscape of change. We leave the dusty road of the familiar and embrace a void where we can find the freedom to chose and perceive new realities and project worlds of our own making.
Stories can either crush illusions we have become enslaved to due to habit or they can lift our veils of fear and familiarity and give us a glimpse of new ways of being. Here we will find a place where we can be our unique selves while in communion with others.
– Terrence L. Gargiulo