This Week’s Storytelling Weekend Marks 10 Years … and Many Storied Memories

The fabulous storytelling weekend in Washington, DC, is happening this week, beginning Thursday. Each day, Thursday through Saturday, is a separate event, and all promise to be enriching and engaging with exciting agendas.

The weekend marks a decade for the conferences and workshops.

Steve Denning, who helms the Friday event at the Smithsonian, has detailed his favorite stories from the last 10 years and has added those of other participants.

You’ll also find links for more information and registration in Steve’s posting.

I won’t be attending this year but hope to publish reportage of the weekend by attendees.

25 Stories to Inspire the Human Spirit Had Their Origins in Facebook Connections

I’ve been exploring for a while the extent to which social media are storytelling media. Author Emily Liebert would likely say that stories can be found within social media.

As noted on the Facebook fan page dedicated to it, Liebert’s new book, Facebook Fairytales: Modern-Day Miracles to Inspire the Human Spirit “is filled with captivating narratives of 25 real-life stories culled from interviews with Facebook users who’ve used the site’s many applications to find — for example — an organ donor, biological parents, to relay messages to loved ones during the Mumbai terrorist attacks, and to save a teenager’s life across an ocean.”

The book is also described as “a diverse collection of 25 of the most inspiring stories that have resulted from Facebook connections. These stories emphasize real-life characters’ personal struggles and triumphs.”

You can read an excerpt from the book, the story of a couple’s efforts to overcome infertility, on Oprah’s book-club site.

How About a Storied Internship?

I’ve heard of corporate people whose job functions deal extensively with storytelling and who even have titles like Chief Storytelling Officer. But until recently, I had not seen an opportunity for someone with a burgeoning interest in storytelling to get in on the ground floor.

Michael Margolis is offering an internship with his publishing, educational, and consulting company, Get Storied. The internship starts out unpaid but could become paid in three months. As of earlier this week, Michael said, he had had about a half dozen inquiries and planned to review them carefully. The application deadline is April 25. Here’s a description:

Forget photo-coping and filing papers, you’ll be creating and contributing in a meaningful way. This is a demanding position – which in return will provide you a wealth of real-world learning experience and a portfolio of creative work to show. As part of this unique internship, you will have the opportunity to be mentored by Michael Margolis, a social entrepreneur, author, teacher, speaker, and consultant.

Learn how to build a fast-growing internet-based media, education and publishing platform. The ideal candidate will be entrepreneurial and creative, with strong communication skills and fluency in social media.

This is a telecommuting internship. The successful candidate will require real motivation and self-discipline. You will be supported in turn with regular coaching sessions and feedback on your efforts. Your internship can start any time, ideally by early June and must last a minimum of three months.

The internship is a terrific opportunity. I hope to closely follow how the position develops as it could be an excellent model for other story practitioners seeking to open doors to applied storytelling.

Q&A with a Story Guru: George Dutch: Our Stories Can Be Mapped

See a photo of George, his bio, Part 1 of this Q&A, Part 2, Part 3, and Part 4.


Q&A with George Dutch, Question 5:

Q:You provide readers of your book with the downloadable exercise,
Enjoyable Achievements and Autobiographical Events
, and offer a resulting
“personalized, customized written JobJoy Report.” You also talk in the book
about your passion and skill for “analyz[ing] complex subjects, then
boil[ing] them down to a theme.” How did you develop this process and
determine that the components that go into the exercises would enable you to
“identify the specific details that are the essence of an Individual’s
Passion Pattern?”

A: Each life has integrity; that is, each life has a holistic pattern of meaning to it, one that is consistent with plot, character, and theme if you will. There are many literary, psychological and spiritual tools that can be used in a scientific way to delve into the meaning of stories through an understanding of thoughts, feelings, moods, dreams, hopes, faith, love, memories, and so on. I learned about some of the tools that are used in literary criticism, in the writing of biographies, in the narration of case studies. Our stories can be mapped. We can identify and define landmarks in the terrain of meaning. These landmarks [like those pictured] have been fashioned by career practitioners over the past 50 years into a lexicon of key success factors relevant to work, such as talents and strengths, preferred subject matter, motivating situations, natural relating styles, and others. I studied these practitioners and undertook many career assessments to develop a methodology that made sense to me, as I tried to distinguish between similar concepts, such as aptitudes, skills, talents, strengths, traits, values, and so on.

Like plot and character in a story, these factors serve a central theme or Individual Passion Pattern — the key route to a destination of right work or jobfit. I bring my talents and passion for story analysis to this process. This is not a generic report that puts individuals into categories and
boxes. Human beings are more complex than simple labels that cannot capture
the complexities, nuances, and subtleties of a life. I love the uniqueness
of each individual, and I have a passion for leveraging their motivational
pattern into the world of work. Their unique pattern can be identified and
defined in simple but profound terms, then matched to specific jobs in
specific work settings that will recognize and reward an individual for what
they do naturally and effortlessly. After all, there are over 60,000 job
titles operating in our world of work, with new ones being created daily.
We are so fortunate to live in a part of the world that offers so much
opportunity. My clients use their customized reports to navigate through
career decisions. Like a map, my report gives clients a clear route to a
new destination of employment, or self-employment, or business building;
and, it provides them with a vocabulary to communicate with clarity and
confidence to others along the way. Career decisions are made easier. The
journey becomes the adventure it is meant to be!

Q&A with a Story Guru: George Dutch: We Are All Inspired by Stories of People Who Overcome Tremendous Odds

See a photo of George, his bio, Part 1 of this Q&A, Part 2, and Part 3.


Q&A with George Dutch, Question 4:

Q: What’s your favorite story about a transformation that came about through a story or storytelling act?

A: We are all inspired by stories of people who overcome tremendous odds to succeed in accomplishing a goal–the archetype of the hero’s quest. But I have a bias for quests in which I am engaged on behalf of my clients. I feature Success Stories on my JobJoy website. These are stories of ordinary individuals who realized significant career transitions through my process. These are my favorite stories because each one honors the uniqueness of a person that plucked up the courage to leverage their authentic self into the
world of work. Each of them wanted both vitality and security in their
lives, and each one was able to attain it. Each time that miracle happens,
it makes the world a better place.

Q&A with a Story Guru: George Dutch: The Best Stories Will Save Us from the Consequences of Our Worst Behaviors

See a photo of George, his bio, Part 1 of this Q&A, and Part 2.


Q&A with George Dutch, Question 3:

Q: The storytelling movement seems to be growing explosively. Why now? What is it about this moment in human history and culture that makes storytelling so resonant with so many people right now?

A: In the beginning was an empty void. Then came story. Storytelling was central to society long before cultures learned to write. The history of civilization is the history of story. The world has become increasingly complex and conflicted in this postmodern age (even the word postmodern is part of a huge story). We are unable to live easily, happily, joyfully in a world we cannot understand. We cannot bear to think there is no meaningful structure to the way we develop. Story provides that structure of meaning. The stories we choose to tell, to live by, get us into trouble, and they can get us out of trouble. It is important not only to tell stories but also to think deeply about the stories that drive our behavior as individuals and as societies. The best stories will save us from the consequences of our worst behaviors.

Q&A with a Story Guru: George Dutch: Story Helps to Find Patterns, Plots, and Meanings

See a photo of George, his bio, and Part 1 of this Q&A.


Q&A with George Dutch, Question 2:

Q: How did you initially become involved with story/storytelling/narrative? What attracted you to this field? What do you love about it?

A: Like most children, I was steeped in stories, and found them fascinating. By the time I was 8 years old, I was writing and presenting my own stories in school. In a world made of atoms and stories, I decided early in life to study stories. I traveled, and exposed myself to other cultures, worldviews, lifestyles, as I studied English literature and communications at university. I am consciously focused on Story, its profound beauty, and its usefulness for doing life. Story is life. We are immersed in plot, character, and theme on a daily basis as we watch tv, DVDs, movies, read the news or blogs, listen to radio or podcasts, join a book club, or gossip at the water cooler. Story is what we do in order to deal with the haphazardness and randomness of existence. That is what fascinates me about story. If life is a mystery, story helps to find patterns, plots, and meanings. If life is a puzzle, story is the solution to understanding so much about life that is not atoms.

Q&A with a Story Guru: George Dutch: Our Personal Stories Have the Power to Help us Heal

It took me a long time to realize that I was not the only “story guru” in the professional organization of which I serve on the executive board, the Career Management Alliance. Story also figures prominently in the practice of Alliance member George Dutch. Unlike the way previous Q&A subjects Rob Sullivan and Judy Rosemarin deploy storytelling in the job search, though, George analyzes written stories from his clients then writes reports that help them fashion a new work identity that they then use to make radical or significant career transitions. I’m delighted to bring you this Q&A with George, which will run over the next five days.

Bio: George is the founder and president of JobJoy, a career transition company. As a certified career professional with almost 20 years experience working one-on-one with 3000+ clients, he specializes in Personal Story Analysis and Creative Positioning to help his clients find their right work. His blog, vlog, and podcasts all focus on storytelling the details of successful transitions. He is the author of a series of books, including JobJoy: Finding Your Right Work Through the Power of Your Personal Story, now available as an eBook for $15.


Q&A with George Dutch: Question 1:

Q: You write in your book Find Your Right Work, “Writing your life story helps you understand your own life in terms of the forces that have defined and changed you over the years. The facts, people and events of your life have formed a seamless web of meaning that help you to answer the questions, “Who am I?” and “What am I trying to accomplish with my life?” How did you come to realize that having clients and readers write their life stories could accomplish these and more insights?

A: The world of work is a hard taskmaster. At some point in a life story, reality breaks everyone. Even though we live in one of the most affluent places in the world in one of the most affluent times in history, the No. 1 workplace disability in North America is depression (according to the World Health Organization). I think narrative counseling is inextricably tied to this sad phenomenon. When we construct a story for ourselves, we construct a thread that we follow daily. If individuals lose the thread of their story and how it relates to the bigger Story that shapes our worldview, our deepest values, our culture … then we put our lives in danger at many
levels.

For example, our personal sense of identity might disintegrate and leave us with empty, haunting questions: Who am I? Where am I? Why am I? What’s
the point? Even worse, to believe we have no story is to acknowledge that
our existence is meaningless. This is an unbearable idea. When stories take
such a drastically dark turn, we may find ourselves terrifyingly alone,
spiritually blind, psychologically or physically broken. But it’s not just
us as individuals who suffer; the rest of society is deprived of our
contribution.

Fortunately, our personal stories have the power to help us heal from the inevitable trials and tragedies of life. It certainly helped me, and that’s when I came to realize how journaling, autobiography, morning pages, and
other writing exercises could provide deep insights to the unconscious
patterns of strength and weaknesses that operate below the radar screen of
life. Certain activities and events in our lives — during childhood, teen
years, and in each decade of adulthood — are particularly enjoyable and
consistently satisfying. These are things we choose to do because we
discover them as satisfying; or, we choose to do them in our discretionary
time because they energize rather than drain us. So, I give my clients a
simple format around which to organize those stories so that they can be
easily analyzed for their key success factors. Like mining for gold, the
format helps to separate the ore from the gold to get to the relevant
material in an efficient and effective manner.

Innovative Autobiographical/Biographical Texts Designed for the Web

Elayne Zalis (pictured), whom I met on Facebook, has compiled a huge, fascinating collection of Autobiographical/Biographical Webs: Selected Links, an outgrowth, she told me, of her academic studies of experimental video autobiographies in the late 1980s and early ’90s. “I was in the humanities,” she said, “so my critiques are influenced by critical theories popular during those years, and also by theories of new media that developed later.”

The compilation includes Online Diaries/Journals, Self-Representations/Memoirs, Letters, Travelogs, Representations of Others, Memorials/Remembrances (including those from September 11, 2001), and Fan Sites.

For more background into Elayne’s research, she recommends her site The Memory Channel, especially the links there to two articles she wrote that put her current research in context:

The first is regarding video. Here’s the abstract for it:

The essay links the independent videos Flag (USA 1989), by Linda Gibson, and Trick or drink (USA 1984), by Vanalyne Green, with traditions of women’s autobiographical videomaking in the United States that blur boundaries between “private” and “public” spheres to politicize the personal. The essay focuses on how Flag and Trick or drink interweave personal, social, spatial, and historical strands to tell the story of a woman’s life. The personal archives that the videos showcase are particularly noteworthy for the inclusion of diaries from the videomakers’ adolescence, which instigate the adults’ remembrances of the past. The essay suggests that Flag and Trick or drink open up directions for others to explore further in a range of old and new media.

The second article, about new media, At Home in Cyberspace: Staging Autobiographical Scenes. Here’s a snippet from the article that captures some of its essence:

Professional and nonprofessional communicators alike construct personal home pages, online diaries, blogs, and generic hybrids that fuse elements of traditional and new media. Repertoires of Net art and e-literature contribute to the mix. Designed to attract audiences online, sites explore novel ways to reconfigure boundaries between “private” and “public” social spheres, as well as between “high” and “low” cultures. Such experiments with autobiographical production thus complement the ongoing “democratization of video,” and reinforce Tamblyn’s notion that cultural intervention and innovative self-representation can occur almost anywhere (13-14). As a medium that for more and more users plays a key role in everyday life, the Web, like video, expedites the production of social space, while at the same time accommodating personal storytellers.

(I’ve long been fascinated with the ways people construct their identities through new media, especially today’s social media, and how comparable those constructions may be to the ways folks construct identities in other media.)

Elayne says she left academia after earning her PhD in 1993, “but I try,” she says, “to continue my research when I can. I like to explore innovative approaches to self-representation and personal histories. Besides discovering new trends, I get ideas for my own creative work.” She has posted samples of her creative work here.

On the Move … Blogging Spottily

Nothing has tested my resolve to blog 7 days a week more than my move from Florida to Washington state, currently under way. I’ve missed a few days in March and early April, especially in the last week. The last-minute packing, closing on our house, and cleaning it for the new owners comprised last week’s excuses. This week, it will likely be spotty access to power and Internet as we RV across the country to our new home in Kettle Falls.

I’m sure it matters to no one but me that I’ve missed some days of blogging, but I felt I had to acknowledge the deficiency. Will try to blog as regularly as possible as we complete the move.

Thanks for hanging in there, and happy Easter!