Q&A with a Story Guru: Casey Hibbard, Part 4

See a photo of Casey, her bio, Part 1 of this Q&A, Part 2, and Part 3.

Q: Success-Story Marketing, which you define as “the act of leveraging the stories of satisfied customers — in any form and any way–for promotional purposes,” is the centerpiece of your book. How did you initially come to discover the effectiveness of Success-Story Marketing?

A: I had been writing and managing customer case studies for a year or so before I truly understood their power. As it turns out, I needed to hear stories about the effectiveness of these case studies for it to click for me! Such is the power of story.

After creating and managing a number of customer case studies for a client, a software company, word got back to me about a very specific success with one of the case studies in particular — featuring one branch of a nationwide mortgage company. The mortgage company was saving a significant amount of money by using the software, and improving customer service, and that was documented in the case study.

From there, the software company approached the national contacts for this mortgage company with the case study in hand. Sharing the success of a single branch led the national folks to recommend that branches adopt the software, leading to numerous new deals.

After 10 years in this field, I have now heard many anecdotes about how customer stories helped land media coverage, win an industry award, get people to sign up for a webinar, donate to a worthy cause, and so on. It’s an approach that just about any organization can leverage to communicate with their audiences.

Q&A with a Story Guru: Casey Hibbard, Part 3

See a photo of Casey, her bio, Part 1 of this Q&A, and Part 2.


Q&A with Casey Hibbard, Question 3:

Q: If you could share just one piece of advice or wisdom about story/storytelling/narrative with readers, what would it be?

A: Since my focus is customer stories (which can also mean beneficiaries of a charitable cause), my advice is to keep it real. By that I mean try to maintain authenticity in the customer’s voice.

A major pharmaceutical company recently came out with customer success-story videos. The customers were real, but they seemed very coached to the point of sounding like actors. The videos completely lost the real quality, and man-on-the-street style endorsement that carries power. It was really a lost opportunity. They had these customers with great stories and they manipulated them to the point where they felt just like all the other drug company stories with actors. It would have been much more effective if they had spent a lot less money and just let customers tell their stories.

New Anecdote Whitepaper Introduces Senior Leaders to Business Storytelling

Shawn Callahan of Anecdote has just announced a brand-new whitepaper entitled “Why some leaders inspire action while others are mostly forgettable: The Vital Role of Business Storytelling.”

Here’s Shawn’s description:

The main purpose of this whitepaper is to introduce senior leaders to the idea of business storytelling and demonstrate its importance, especially in the increasingly complex and unpredictable world we live in. It also provides some approaches to how you find and recount your experiences in a business context.

Interestingly, Shawn got feedback and editorial suggestions for the whitepaper through Twitter.

Download the whitepaper here.

Q&A with a Story Guru: Casey Hibbard, Part 2

See a photo of Casey, her bio, Part 1 of this Q&A.


Q&A with Casey Hibbard, Question 2:

Q: What’s your favorite story about a transformation that came about through a story or storytelling act?

A: The best stories of transformation through story are those that mobilize people to give or do for great causes. There’s such an emotional component to putting a story behind a problem. Made to Stick by Chip Heath and Dan Heath recounts a couple of these stories. Their book names Stories and Emotion as two of the six principles of sticky ideas.

They share an anecdote about a study where people were asked to consider donating to Save the Children. Two different appeal letters were used to portray the problem of hunger in Africa. One gave statistics about food shortages and the number of people affected. The other recounted a brief tale about a single seven-year-old girl who would be helped by the money. Those who received the second letter gave more than twice as much as those who received the first letter. Putting a face and story behind a problem truly makes a difference. Kiva.org, which gives microloans to entrepreneurs in developing countries, has been very successful with this concept as well.

Another Academic Journal Devotes an Issue to Narrative: Health as Narrative

The Journal of Applied Communication Research (Volume 37 Issue 2) has devoted its latest issue to Health as Narrative. You can access its articles in a library, or by paying for them, or waiting a month or so till they are available through an academic library database.

This new issue contains the following narrative-related articles:

Healing Through Stories: A Special Issue on Narrative Medicine
Authors: Lynn M. Harter; Arthur P. Bochner

Narrative Medicine as Witness for the Self-Telling Body
Author: Rita Charon

Observations from the Outside In: Narratives of Illness, Healing, and Mortality in Everyday Life

Narratives as Dialogic, Contested, and Aesthetic Performances
Author: Lynn M. Harter

Performing Narrative Medicine
Author: Kristin M. Langellier

Vulnerable Medicine
Author: Arthur P. Bochner

Narrative Medicine and the Stories of Friends
Author: William K. Rawlins

Narrative and Decision
Author: Richard M. Zaner

The Applicability of Narrative Ethics
Author: Teresa L. Thompson

The Polis of a Discursive Narrative Medicine
Author: Rita Charon

Q&A with a Story Guru: Casey Hibbard, Part 1

I was quite excited to come across Casey Hibbard and her Compelling Cases approach to telling customer stories — as well as her excellent book, Stories That Sell, and am delighted to bring you this Q&A with her, which will run in five parts this week:

Bio: The following is from one of Casey’s Web sites:

Casey Hibbard, founder and president of Compelling Cases, Inc., has helped dozens of companies create more than 450 customer stories over the past decade. She has produced and managed success stories for companies such as Macrovision, Jobfox, USA.NET, IHS, and Vocus. Casey is featured in numerous books, articles, and teleclasses. She consults with organizations one-on-one and conducts online customer-story classes. She is also author of Stories that Sell and the blog of the same name.


Q&A with Casey Hibbard, Question 1:

Q: In the introduction of your amazingly comprehensive and information-rich book, Stories That Sell, you note: “If it seems as though you’re seeing more customer stories than ever, you are.” To what do you attribute the growth in customer stories?

A: The use of customer stories has grown considerably in the past 10 years. Technology companies are the original pioneers of customer stories because they were extra compelled to educate and validate potential customers about their complex and expensive products.

Now that has spread to all types of organizations for a few reasons: We’ve suffered from a credibility crisis. Surveys show that the public’s trust in companies is at its lowest ever. Along with that, trusted sources information have changed as well. A company is now way down on the list of trusted sources compared to 10 years ago. Now “strangers with experience” is a close second behind someone a person already knows. You see that in how much we rely on Amazon and eBay reviews and feedback.

We also no longer do business face-to-face as much. It’s much easier to establish trust and feel confidence in what you’re buying if you can talk face-to-face with another human being.

Finally, there’s more of a need to validate purchases. Companies have never been so pressed to make decisions that will bring a return on investment.

In the absence of trust and in-person connections, customer success stories and case studies help foster credibility and validate products and services. A potential customer can read a true account of another organization just like them that solved a problem successfully — increasing their confidence. If the story has measurable results, then it also provides the validation that buyers need.

Admit It, Hiring Decision-makers; You Want Stories, Not Resumes

Several weeks ago, Irina Shamaeva posed the question on ERE.net, a site for recruiters: Will Resumes Become Obsolete?. Not long before that, David Manaster asked on the same site: Social Media: The New Cover Letter?.

Both postings are the latest in a long line of predictions from recruiters and job-search experts that resumes and cover letters are on the way out. The most prevalent prediction I’ve heard from the hiring community is that some sort of very standardized profile (hmmmm, sounds a lot like a job application; haven’t we already done that?) is what they want to replace resumes.

I don’t buy it.

Shamaeva talks about “how the expansion of everyone’s online presence may affect the set of documents and information that accompanies a job application.” In my opinion, the massive gravitation of hiring decision-makers to using social-media tools to recruit proves that a standardized profile or questionnaire won’t cut it.

The fact that social media has become such a prevalent tool in recruiting tells me that recruiters hunger for a more human way of viewing candidates — dare I say it? — a more emotional connection.

They hunger for candidate’s stories.

Shamaeva discusses the process she’d use for reviewing candidates if she were a hiring manager — resume, LinkedIn profile (not Facebook), possibly Twitter. Her rationale — “I also may get a sense of who the person is. We are looking for a live member of our team; this always involves some chemistry, so the person’s style of presenting himself matters” — tells me that she would like stories. What better way to discover who the person is, how the person will fit in as a live member of the team, what kind of chemistry the candidate will have with the employer, and how he or she presents himself or herself?

Manaster notes that “social media allows you to take control of your personal brand and highlight your strengths. You can show rich examples of your work. You can let people peek inside your head in a way that resumes and cover letters never have and never will.”

I don’t agree with “never will.” I believe resumes and cover letters must morph into formats that do open that window on your personality for hiring managers. I also believe it is already relatively easy to use a cover letter as a storytelling vehicle — much trickier with a resume.

Shamaeva concludes by asking: “… looking into the future, could it happen that a submission of a candidate will not have a resume but will be done with a set of online professional profile links accompanied by a job-specific questionnaire?” The professional profile links, if done well, will help tell the candidate’s story. I’m not sure about the job-specific questionnaire; it still seems too much like a dehumanizing application form to me. I can see the value of such a questionnaire for evaluating how well the candidate expresses himself or herself. I can see gleaning information on the candidate’s job-specific knowledge and skills.

But I still think there is a job-search communication vehicle that has yet to be developed. I am still in a quest for the Storytelling Resume, which I am convinced has not yet fully evolved.

I, and folks like my storytelling-in-the-job-search doppelganger Rob Sullivan, and the career experts who contributed resumes to my book, Tell Me About Yourself, have developed story techniques to integrate into resumes.

But the true, elusive Storytelling Resume vehicle has yet to emerge. When it does, I am reasonably certain it will incorporate social-media elements. Terrence Gargiulo and I are working on research into what the Storytelling Resume looks like.

Like social media for recruiting, the Storytelling Resume would not be without legal and ethical issues. Discrimination is always a possibility when candidates put themselves (and their photos, for example) out there. It’s also true, as Manaster points out (citing Alison Doyle) “The vast majority of professionals are unwilling or unable to send the time and effort needed to maintain a[n effective online] presence.” The same is already true of resumes and cover letters. Most job-seekers don’t put the required time and effort into them. I know from my five years as a resume writer that the vast majority of resumes are crap. However, just as job-seekers hire career practitioners to write their resumes and cover letters, they can hire them to help them craft compelling social-media profiles and other aspects of a compelling online presence.

Manaster cites college student Matthew Cadwallader as having the kind of presence that impresses hiring managers. He sure does — because his Web site tells his story.

Storytelling Chatter in the Twitterverse

I haven’t done one of these compilations of the storytelling topics that people are talking about on Twitter for a few weeks because I’ve been traveling across the country in an RV with limited Internet access. Now, I’m one place — our summer home in Kettle Falls, WA, till sometime in October.

This compilation doesn’t represent the absolute latest in Twitter storytelling buzz, but it’s somewhat recent — the last month or so:

    • This one actually is from the last week, though I first saw it sometime last year. Probably the most re-tweeted comment about Philip Toledano’s poignant photo essay Days with my Father, was “For those who think the web isn’t yet capable of emotional storytelling.”
  • Tweeters praised a piece on narrative, brevity, and storytelling by Jessica Helfand on the blog Design Observer in which she said: “the pithy, out-of-context statement is becoming its own narrative form” and asked: “Is there some human need to experience stories with beginnings, middles and ends?”
  • Generating some 33 comments was a piece on role of storytelling (real narrative) in new media at BBH Labs. The author, Mel Exon, talks about “the wholesale reinvention of a (sometimes much maligned) skill, the art of storytelling” and responds to someone else’s “observation that ‘there’s currently much less of a culture of developing narrative or storytelling on the web.'” Exon’s own observation is that “we are now in the business of starting stories, not attempting to nail them down from beginning to end. Letting stories take on a life of their own, to be played with, passed around, modified and enriched by the audiences they’re developed for.”
  • Not in the least surprising was the amount of buzz for the blog entry on Psychology Today,
    How storytelling can make sex better
    , but I couldn’t find much about storytelling in the piece.
  • Beth Kanter of Beth’s Blog: How Nonprofits Can Use Social Media got significant attention for her entry, Transmedia Storytelling and Co-Creation Networks, which includes a very cool diagram by Gary Hayes. Kanter talks about the application of transmedia storytelling to nonprofits, offering this definition of transmedia storytelling from Henry Jenkins via Lina Srivastava:

    Transmedia storytelling is storytelling by a number of decentralized authors who share and create content for distribution across multiple forms of media. Transmedia immerses an audience in a story’s universe through a number of dispersed entry points, providing a comprehensive and coordinated experience of a complex story.

  • No link for this one, and I also failed to note who tweeted it, but it’s a quote I found interesting: “Social media is not about technology. It’s about STAR: Storytelling, Transparency, Accountability, and Relationships.”
  • And another very cool and highly re-tweeted quote — from my good friend Terrence Gargiulo — is: “The shortest distance between two people is a story.”
  • Robert Nagle got some buzz for his post on Idiot Programmer, Blogging is a Careless Activity; Storytelling is Not, in which he announced that he “decided to commit to using this blog as an outlet for more creative forms like storytelling. Not fiction per se, but informal storytelling.”
    Jacques Arsenault got re-tweeted for the blog entry Mapping the Seven Deadly Sins, about a project in which “geography researchers at Kansas State University have used publicly available statistics to map the Seven Deadly Sins in the United States” as “an example of the storytelling power of visualization” You can read more about the project and see more images here. Fascinating visualizations, yes. Storytelling? I’m not so sure.
  • Garnering buzz was news that A Storied Career mainstay SMITH magazine has launched SMITHTeens and will publish Six-Word Memoirs by Teens Famous & Obscure.
  • As possible proof that I’m ahead of the curve, A Million Monkeys Typing enjoyed significant recent buzz, especially as related to a blog entry, A Million Monkeys Typing: Collaborative storytelling; I blogged about the site back on Feb. 26

Q&A with a Story Guru: Lori Silverman, Part 5

See a photo of Lori, her bio, Part 1 of this Q&A,Part 2, , and Part 4.


Q&A with Lori Silverman, Question 5

Q: What’s next on your agenda for the field of story work?

A: I’m in the process of working with Karen Dietz to create a line of self-study products that provide the user with a significantly more detail than is in either of my books, Stories Trainers Tell and Wake Me When the Data Is Over. These products go beyond anything either of us has written and address issues we have experienced when teaching story work to others and in integrating it with the way all sorts of organizations do business.

What has been really exciting about this work is that we are truly making the concepts in the field much more pragmatic and easier to access. Our ultimate goal is to have work groups work through the materials and apply them to their daily work as a way of addressing current challenges, especially those that appear chronic in nature. By doing so we know they will uncover new and emerging applications for story use and move the field forward.

Don’t Forget Story Week!

I almost did. In terms of Story Week (previewed here), sponsored by the firms Anecdote, Sparknow, and Innotecture, this is the worst possible week for me to be traveling cross-country in an RV with limited Internet access.

Here’s how Story Week, on Day 4 as of this writing, is described on the Anecdote blog:

The Story Week is here! Over the next 5 days, we’ll be offering you 5 stories — some momentous, some more low-key — and we’re inviting you to tell us what you think of them. After you have viewed, read or heard the story, we’d like you to fill out the form [appears below story each day of Story Week] and maybe tell us a story of your own. We will be publishing (under a creative commons license) the aggregate results from this little experiment and also some of the stories that you tell us.

You can go here for the first Story Week entry and then click on each day.