Best of Cowbird Marks Changes to Storytelling Platform

Cowbird, Jonathan Harris’s storytelling platform, which I have mentioned a couple of times but perhaps not given enough attention to, is undergoing changes, Harris announced yesterday.

One of the nicest things Harris provided in an email to users was a link to what he called The Best of Cowbird — the Cowbird folks’ 25 favorite stories from Cowbird’s first year — “instant classics, all,” Harris said.

Today, it’s my great pleasure to introduce you to the new Cowbird — simpler, faster, more minimal, more essential, and, we think, even more beautiful. The storytelling format hasn’t changed — it’s still based on short, simple vignettes, told with images, text, and sound. But we’ve pared down the experience to make it all about stories — and how those stories connect to other stories.

Also, we’re introducing some exciting new features. DNA search allows you to find stories matching very specific constraints — like stories that mention love involving women in their 30s. Collections allow you to assemble stories into handpicked groups — like editing your own little mix-tapes or magazines. But what we’re most excited about is handwriting — a simple way for you to turn your own handwriting into a font, and use it in your stories.

With these changes, we’re also introducing Cowbird Citizenship, a way for devoted members of Cowbird to support our project for $5 a month, to help us keep Cowbird ad-free and independent. The core Cowbird experience will continue to be free for anyone who wishes to use it.

Ch-ch-ch-changes

You’ve probably noticed I haven’t been posting much recently.

That’s partly because of my Summer Burst of Creativity. As happened last year, I found myself drawn to doing creative projects with my hands, which I have to do mostly in the summer because the messy parts need to be done outdoors, and it will soon be too cold and snowy.

But I’ve also been wrestling anew with the same conundrum readers have heard me talk about a number of times before — devoting a lot of time to a blog and curation practice I feel passionately about but that produces virtually no revenue. Most story practitioners I know make at least a partial living from their story practices; I don’t.

Starting a week from today, Oct. 1, I’m taking a sabbatical from the blog for at least a month. I’ll also suspend my curations on Scoop.it. I have a book to write (You Are More Accomplished Than You Think) and one to compile (100 Storied Careers: Story Practitioners Talk about Applied Storytelling, the second edition of my previous compilation).

After that, I plan to put an all-out effort into getting an online-teaching job. Teaching is another of my great passions, and I’m constantly bemoaning the fact that I can’t get a teaching job, but the truth is, I haven’t tried very hard.

During this sabbatical time, I’ll still post here from time to time as the spirit moves me.

The kicker is that I may never return to my story/curation/blogging practice with full strength. It’s time to reassess and consider moving on, no matter how much I love this practice and you, my readers.

Job-Search Storytelling Evolves, with Some Twists

From three recent posts about using story in the job search, some new nuances emerge. Here’s some job-search story advice that’s not same-old, same-old.

In interviews, signal that you are about to tell a story. Thus Geoffrey James advises in How to Spin Your Career Story and Get the Job. James, whose article follows the principles of Mike Bosworth, author of Solution Selling (1994) and the more recent What Great Salespeople Do (2011), suggests that introducing an interview response with a line like, “Let me tell you a story,” is effective because it “puts the listener’s mind in a receptive state.” I agree with this advice for the most part, but since I assert most interview responses should be in story form, I’m concerned that the interviewee will come off as repetitive if he or she announces the intention to tell a story at the start if each response. Use this declaration sparingly.

James also offers good, if not novel, advice on the story setup (protagonist [the job-seeker], place, and time) and his take (or Bosworth’s) on classic job-search story formulas (goal, obstacle, decision, result). Thus, joining the constellation of formula acronyms (such as PAR for Problem –> Action –> Result) is GODR. He suggests that stories be no more than two minutes. I agree, but even two minutes is pushing it in these attention-deficit times. James posits this motivation for the ubiquitous interview “question,” Tell me about yourself:

… the reason interviewers open with “tell me about yourself” is because they want to get a sense of who you really are (beyond what it says on your resume), what you really want (beyond what it says on your cover letter), and whether or not you are trustworthy. They want a sense of your character.

I would submit that this reason is one of many. Interviewers use “tell me about yourself” because it’s the most common interview query and is expected; they ask it because they do not have advanced interviewing skills; they ask it because it’s a good icebreaker — among many other reasons. Although the “tell me about yourself” request is, in my opinion, one of the hardest to which to provide a storied response, James offers a nice example of one.

In job-search communications, relate the “results” part of your story to business value. So (wisely) says Jennifer Hay in So What’s Your Story?. Her twist on the classic job-search story formulas is Business Need –> Actions –> Business Value. She provides an effective example of such a story:

I developed a solution for a multi-billion dollar company to replace legacy technology architecture for a critical project costing system. This typically straight-forward project was complicated by the fact that the company was a primary manufacturer for the federal government. To comply with conditions of government contracts, replacement technology selection required a comprehensive, unbiased decision-making method.

I was up to the challenge; this was a great opportunity to use my extensive research skills. I chose an Analytic Hierarchical Process model because AHP is a natural fit for complex, multi-criteria analysis. I evaluated each vendor based upon strict criteria. My recommendations were fully documented, thus adhering to government regulations. I was pleased and gratified when the company selected my first recommendation.

Then there was the expected surprise. The company liked the decision-making process so much that they decided to implement as the organization standard for unbiased and fact-based decisions.

Use an open-comment box on an online application to tell a story. Liz Ryan has long championed storytelling in the job search, but the advice she offers in Outwitting the Recruiting Black Hole,is a truly novel twist:

In any open comment box your next Black Hole job application form puts in front of you, write something that tells the employer you understand his or her business situation and have lived through the same movie, yourself. The message “I have an idea of what you’re up against over there at Acme Explosives” is a million times more powerful than the lame and oft-repeated messages “I’m industrious, loyal and creative, a results-oriented professional with a bottom-line orientation.” We have heard that tired, robotic line too many times — there’s no life in it. You could write something like this, instead:

I heard about Acme Explosives from my sister Pam, whose company is a supplier of yours. She said you’re growing fast and in need of Project Managers to get your new X-15 stick dynamite products out of the chute and onto the market. At Roadrunner Industries, I managed the launch of the Desert Delights birdseed line, which added $14M to revenues in its first year (budgeted for $10M).

Why is this approach important? As I’ve recently been reading with greater frequency, employers’ keyword-searching Applicant Tracking Systems are keeping many perfectly qualified candidates from getting interviews. They may even be contributing to the unemployment crisis and certainly play a role in the so-called “skills gap” employer complain of (“We have plenty of vacancies; we just can’t find skilled people to fill them.) As Ryan writes:

Now that the vast majority of recruiting activity happens electronically, job-seekers have had to adjust their activities to conform to the online recruiting paradigm. I call the gaping maw of an organization’s recruiting portal the Black Hole, because it shreds resumes the way black holes in space shred objects into sub-atomic particles.

One of the worst things about the misguided-but-nearly-universal use of Black Hole recruiting systems is that they choke the life out of job applicants, reducing complex and fascinating (not to mention hard-working and creative) people to keywords and job titles. That’s a shame, but job-seekers can do a lot to thwart the Black Hole’s efforts to turn them into anonymous drones. They can give context to their past jobs and current job-search aspirations.

Ryan is right. Give employers context. Give them stories.

Share Stories to Celebrate Sunday’s Grandparent’s Day

Spellbinders reminds us that Sunday, Sept. 9, is National Grandparents Day, a great time draw out stories from grandparents and elders.

It’s also a good day for remembering stories about your grandparents, using Spellbinders’ “Story Sparks:”

  • Have you spoken to your children and grandchildren about your own grandparents? If not, use this month and these sparks to do so.
  • When you were visiting, how did your grandmother generally spend her day? If she had free time, what activity did she like to do by herself? What activity did she like to do with you? Paint the scene by bringing in all five of the senses.
  • What was your favorite place you ever went with your grandfather? Why did you do? How did it make you feel? Paint the scene by bringing in all five of the senses.
  • When you were little, did any elders share tales with you? How did it make you feel? Where were you? Can you retell any of them?

If Ever There Was a Time for Women’s Stories to be Told, This Is It

Last night, First Lady Michelle Obama told her story to the nation at the Democratic National Convention, adding:

If farmers and blacksmiths could win independence from an empire…if immigrants could leave behind everything they knew for a better life on our shores…if women could be dragged to jail for seeking the vote…if a generation could defeat a depression, and define greatness for all time…if a young preacher could lift us to the mountaintop with his righteous dream…and if proud Americans can be who they are and boldly stand at the altar with who they love then surely, surely we can give everyone in this country a fair chance at that great American Dream.

Because in the end, more than anything else, that is the story of this country – the story of unwavering hope grounded in unyielding struggle.

That is what has made my story, and Barack’s story, and so many other American stories possible.

[Image credit: The First Lady (2012, M.A. Reilly)]

Soraya Chemaly asserts that all women should be telling their stories:

Today, it is especially important to tell specific stories that every girl should know — those that explain that every girl’s and woman’s body is her own and not the property of others or society. This has nothing to do with political affiliation. Stories about our street harassment, rapes, our second rapes, our abortions, our domestic abuse , our risky and frightening pregnancies, our more likely impoverishment, our specific health concerns, our pregnancy-related imprisonments and seizures, our ambivilient motherhoods. We need to talk about the real, tangible effects of EVERYDAY SEXISM. We need to share stories of the entrenched biases we encounter, the subtle sidelining at the hands of condescending benevolent sexists, the male norms that marginalize us and the ways in which we adapt.

One of the most valuable aspects of Chemaly’s piece is the list of Women’s Storytelling Resources at the end. I’ll be adding these to my inside pages.

3 Storytelling Platforms/Projects Focus on the Big Apple

An interesting convergence of three storytelling projects tied to New York City. I’m reminded of the famous closing of the old TV show “Naked City:”

There are eight million stories in the Naked City. This has been one of them.

Narratively is in the fundraising stage on Kickstarter. Here’s the description:

New York is bigger and badder, weirder and sadder, and far more uplifting and intoxicating than the news headlines would have you believe. But too many of its stories are left untold. Narratively is changing that, and then we’ll do it in your city, too.

We don’t care about the breaking news or the next big headline. Narratively is devoted exclusively to sharing New York’s untold stories — the rich, in-depth narratives that get at the heart of what this city’s all about.

Narratively won’t use just one medium for these stories but the most appropriate one for each — longform article with portrait photos, animated documentary, photo essay, audio piece, short documentary film, for example.

Groundswell, an organization that pairs the making of public art with underserved New York City neighborhoods, is telling the stories of New York communities with public murals — about 400 of them so far. See a New York Times article on the project.

A History of New York in 50 Objects: For a British Museum’s BBC radio series and book, historians and museum curators were asked to identify 50 objects that could embody the narrative of New York. In the New York Times article that describes the project, users can read the story of each object by clicking on it.

ONE TIME USE ONLY!!! View of New Amsterdam, Johannes Vingboons, ca. 1665, NYTCREDIT: National Archives of the Netherlands

New York continues to inspire   storytelling. I was prepared to note that the city now offers more than 8 million stories (given that “Naked City” ran 1958-1963), but I learned that the city’s population didn’t actually reach 8 million until 2000 and today is “only” 8.2 million.

Charming Wedding Site Tells Couple’s Story, Goes Viral

Here’s a nice model for couples who’d like to preserve and share the story of their romance.

You may have seen this one, as it has apparently gone viral. The wedding site of Russ Maschmeyer and Jessica Hische is a beautifully designed, amusingly written chronicle of their relationship.

Their friends contributed striking artwork to the site. Jessica writes:

… when Russ proposed I was ecstatic. A few days later the congratulations started pouring in from friends and stranger-friends along with one enthusiastic and intimidating statement: “Your wedding invites are going to be so awesome!” Russ and I are both designers, so the pressure was enormous to make something crazy. After a lot of scheming we realized one thing: that over the years we’ve met and befriended some truly incredible and talented people, all of whom we had hoped to collaborate with someday. The invite became the perfect opportunity to work together with people we care about, respect, admire, and love. We’re so happy and thankful for everyone involved, many of whom have played integral roles in the story of how we came to be.

Doug Rice Launches #StoryChat on Twitter

Colleague Doug Rice (see my Q and A with him here) is initiating “a Twitter chat centered around the story concept in business, art, and life” — #StoryChat.

He’ll feature “copywriters, screenwriters, novelists, photographers, storytellers, and many other professionals and interesting people who use story as a platform for what they do.”

Doug is planning to launch the chat in September. While he hasn’t decided on the frequency of the chats (every week, every other week?), he’s planning them for Thursdays at 10 pm EST.

You can learn more here

Another Awesome Entry in a Banner Year for Applied Storytelling Books

Back here after almost a week’s vacay from the blog ….

Not sure how I missed that Sharlene Sones’s book, Storyworks was, well, in the works, but it will be out in September, and a preview chapter is available for download now.

I will soon be conducting a Q and A with Sharlene (of Brandstoria) focused on the gorgeously designed book.

I’m excited about the book because Sharlene includes “career” among the entities that storytelling can advance. I love the straightforwardness of this partial lineup of chapters:

STORY …

  • DIFFERENTIATES
  • SELLS
  • INSPIRES
  • CLARIFIES
  • ALIGNS
  • HUMANIZES
  • (RE)POSITIONS
  • ENGAGES
  • REVEALS
  • WINS

Storyworks joins a stellar lineup of books published this year in the applied-storytelling realm. Here’s where I’ve mentioned them:

Others have been released in 2012 that I’ve acknowledged only by including them in my books widget at the bottom of the page:

  • The Mess Inside: Narrative, Emotion, and the Mind, by Peter Goldie
  • Your Story Matters You Matter: A guide to healing, learning from and sharing your story (Volume 1), by Angela Schaefers
  • The story of a kiss: Storytelling in organizational change, by Suzanne Tesselaar
  • The Storytelling Animal: How Stories Make Us Human, by Jonathan Gottschall

I’ve probably even left some out. What 2012 applied-storytelling releases am I forgetting?